Dr José-Carlos  Mariátegui

Dr José-Carlos Mariátegui

Visiting Senior Fellow

Department of Media and Communications

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Languages
English, Italian, Spanish
Key Expertise
Art and technology, Media archaeology, Digitisation

About me

Dr. José-Carlos Mariátegui is a Senior Visiting Research Fellow in the Department of Media and Communications and a Lecturer at LUISS Guido Carli (Rome). 

Dr. Mariátegui is the founder of Alta Tecnología Andina – ATA (Lima, Peru), an organization working at the intersection of art, science, technology and society in Latin America and a Board Member of Future Everything (UK).  A former Board Member of the Museo de Arte de Lima - MALI (2013-2021), he chairs MALI’s Education Committee, and leads the museum’s digital strategy. 

Dr. Mariátegui has published in journals such as AI & Society, Third Text, The Information Society, Telos and Leonardo. Is currently Editorial Board member for Leonardo Books at MIT Press, Associate Editor of AI & Society (UK). In addition, he has an extensive curatorial practice. One of his latest exhibitions, “Quántica /Broken Symmetries” (co-curated with Monica Bello), explores transdisciplinary artistic practice in interaction with scientists at CERN (touring in Liverpool, Barcelona, Brussels, Taichung and Tallinn). Other curatorial work include: “River Voices”, a digital project for the 23rd Biennale of Sydney (Sydney, 2022); “VIDEO-TRANSLATIONS: gazes x spaces 13 video installations by Peruvian artists” (Madrid, 2019); “POETRÓNICO. Gianni Toti and the origins of video poetry” (Lima, 2015-2016); “Rosa Barba: Performativity of Presence” (Buenos Aires, 2014); “Lima: all the republic in one: Jose Carlos Martinat” (Shanghai Biennale, 2012); “VideoXXI - Lemaitre Collection" (Lima, 2010); "Emergentes" (touring in Spain and Latin American, 2007-2009), “Videografias In(visibles)” (touring in Spain and Latin American, 2005-2007).

For the last 30 years his multidisciplinary research embraced media archaeology, digitization, video archives and the impact of technology in memory institutions. He has also conducted original research on media organisations, digital and audiovisual archives in Latin America. During his PhD at the Department of Management at the LSE, he researched the implementation of the Digital Media Initiative (DMI) at the BBC, studying the impact of digital video on audiovisual and news productions.

His current research projects include extensive original research on key breakthroughs in cybernetics which occurred in Latin America between the 1950s and early 1980s, a period of intense creative, technological, and political changes, which also provided a platform for interdisciplinary communication and international exchanges.  He is also researching, based on a comparative study, the impact of digitalisation in both media organisations and memory institutions, taking into account the management of information and the preservation of digital archives.

Expertise Details

Art and technology; Media archaeology; Digitization; Memory organisations; Media industry

Publications

Articles

  •  “Techno-revolution: False evolution?”, Third Text, 13:47, 71-76. 
  • “ Social Formations of Global Media Art” (with S. Cubitt & G. Nadarajan), Third Text, 23:3, 217-228,
  •  "Video as Digital Object: Production and Distribution of Video Content in the Internet Media Ecosystem." (with J. Kallinikos), The Information Society 27(5), 2011.
  • "De/contextualizing Information: The Digitization of Video Editing Practices at the BBC." (with A. Marton) The information Society, 31(2): 106-120, 2015.
  • “In search for transdisciplinary models of creation in Latin America. The Case of Escuelab”. NMC Media-N | Journal of the New Media Caucus 12 (1). Spring 2016.
  •  "Hacia una ontología del video." Ansible(4): 41-53 (2017).
  •  "El trabajo de cine y video de Rafael Hastings." Illapa Mana Tukukuq Revista del Insituto de Investigaciones Museológicas y Artísticas de la Universidad Ricardo Palma 17: 49-57 (2020).
  • “Porous and Poietic Exchanges: Pioneering Practices in the Arts, Sciences, Technologies in South America”, The Journal of History and Philosophy of Art, 2 (2021).
  • "Cybernetics and Systems Art in Latin America. The Art and Communication Center (CAyC) and its pioneering art and technology network " AI & Society. (2021).

Book Sections

  •   "Art is Social: A Path to the New Technological Culture in Latin America” in: Latin American Modernisms and Technology. M. Fernández (Ed.), ICM Book Series (Institute for Comparative Modernities (ICM) Cornell University) / Africa World Press: 404 (2018).
  •  “Uncovering information systems in the work of Teresa Burga” (with Elisa Arca) in: Retracing Political Dimensions: Strategies in Contemporary New Media Art”, Oliver Grau/Inge Hinterwaldner (Eds.) (2020).
  • "Entre Berlín y Huancayo. Las múltiples energías del video". Antonio Paucar: Yalpayninchikya shimpaśhtin / Trenzando nuestra memoria. Lima, ICPNA (2022).
  • “Archives and Networks and Latin American Video Art” in: “Encounters in Video Art in Latin America” Glenn Phillips/Elena Shtromberg (Eds.), J. Paul Getty Trust/ Getty Publications. (Forthcoming, 2023).
  • “Critical & Social Practices” Encyclopaedia of New Media Art (Volume 3. New Media Art: Curation and Culture). Commissioned by Bloomsbury Academic (London), 2022.

Guest Edited Journals

  •  Guest Editor (with S. Cubitt and G.  Nadarajan) of a special issue (Volume 23, Issue 3, No. 98) on "Globalization and media technology" for Third Text Journal, Routledge, London, May 2009.
  • Guest Editor, AI & SOCIETY Journal of Knowledge, Culture and Communication, Special issue on Cybernetics in Latin America: Contexts Developments, Perceptions and Impacts (2021)

Edited Books

  • "Peru/Video/Arte/Electronico: memorias del festival internacional de video/arte/electronica", published by ATA and the Universidad Ricardo Palma, Lima, 2004.
  • "TESTER: Trabajo de no nodos / Adabegiak lanean / nodes at work” (with Marina Grzinic, Hito Steyerl, Marcus Neustetter, Oliver Ressler, and Fundacion Rodriguez) (trilingual: English / Spanish / Euskera): Fundacion Rodriguez - Arteleku, 2004.
  • “The Future Was Now. 21 Years of Video Art and Electronic art in Peru (1995 – 2016)” (with Max Hernández and Jorge Villacorta) (bilingual: English / Spanish)  (Lima, 2018)
  • “Quàntica”/ “Quantum” / “Cuántica” (with Monica Bello) (trilingual: English / Spanish / Catalan), Centre de Cultura Contemporània de Barcelona CCCB, Press and Communication Office of the Barcelona Provincial Council (2019).
  • “Rasheed Araeen: Del cero al infinito escritos de arte y lucha” (Santiago de Chile, 2019).