Françoise Vergès is a Reunionnaise theorist, independent curator, and antiracist decolonial feminist, with a long life of activism and of holding different jobs. She has written on Frantz Fanon, Aimé Césaire, colonial slavery, colonial psychiatry, anticolonialism, racial capitalocene, decolonial feminism, or the (impossible) decolonization of the museum. In 2015, she cofounded with five other women the non-profit Decolonize the Arts and the university Decolonizing the Arts (until 2021). She has written films on Maryse Condé and Aimé Césaire (with whom she published Resolutely Black). Vergès works with artists and curates workshops and performances with artists and activists of color. Recent publications include: A Feminist Theory of Violence (2022), A Decolonial Feminism (2021), De la violence colonial dans l’espace public (2021), and The Wombs of Women; Race, Capital, Feminism (2020).